To understand how to approach the text as a theatre maker.
Discussion to identify key aspects of the text.
Workshop to explore the text in practice.
Practical exploration of the text.
To understand how theatre makers re-imagine work.
Students use a case study of a practitioner (BRECHT) to see how they have re-imagined work.
Practitioner (Brecht) study.
Working in small groups, students take an extract from a performance text and explore how to re-imagine the scene for a contemporary audience.
Students develop ideas and refine the re-imagined concept.
THEATRE VISIT AND REVIEW
The ability to consider relevant aspects of theatre for analysis and evaluation purposes.
To reflect on own experience as an audience member.
To understand the processes and practices used in the production.
Students revisit and refine the groups’ theatre review form.
COMP 2 – GROUP/MONOLOGUE PERFORMANCE
Students issued with their practical performance pieces to learn.
COMP 2 – GROUP/MONOLOGUE PERFORMANCE
To understand creative intentions of the play text in performance.
Exploration and rehearsal of monologues/duologues and group performance.
Dress rehearsal of group piece.
Tech rehearsals of group piece.
Dress rehearsal of monologue/duologue.
Tech rehearsals of monologue/duologue.
Performance to external examiner Febuary/March.
(REVISION) COMP 3 SECTION A
Live Theatre
Students prepare theatre evaluation notes.
Students write responses to sample questions.
Exam practice.
(REVISION) COMP 3 SECTION B ‘THAT FACE’
To understand the expectations of the exam.
Practice questions.
(REVISION) COMP 3 SECTION C
PAGE TO STAGE ‘WOYZECK’
To understand the expectations of the exam.
Practice questions.